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A (Brief!) List of Clients

TJMaxx | Radio | Sleepy Home AVO | Grey Advertising

Frank’s Red Hot | Young Woman | Principle | Havas Worldwide NY

Proactive | Radio | AVO | Christine Coyle, Handmade Productions

MTV | TV | AVO | Michael Maxwell, Pink Noise

AT&T | Industrial | AVO | Mitch Lee, Redemption Music + Sound

Traveler’s Insurance | Radio | Waitress | Principle | Kelly Rice, Digitas

ShoeDazzle | Television | AVO | Christine Coyle, Handmade Productions

The FDA | PSA | AVO | Jacqueline Klingebiel, Home Front

Pop Tarts | Industrial | AVO | Briana Berry, MSL Group

Google Artist Hub | Online | AVO | Michael Bard, Studio Bard

WE Network | TV Promos | AVO | Denise Farley

La Fresh | Television | AVO | Marcia Waldorf, Waldorf Crawford

Gillette | Online | AVO | Noreen O’Donnell, Can Can Creative

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Session Singing
















Session Singing


















And... More Clients

The Stronger Tour | BG Vocals, Acoustic Guitar | Kate Earl

Brett Dennen, “You Ain’t Goin’ Nowhere” | BG Vocals | COF: Songs of Bob Dylan, Amnesty International

Onion Crunch Jingle | Lead and BG Vocals | Michael Pandolfo, Wonderful Entertainment Group

B-Sharp Theme, “No Guitars In Heaven” | Lead and BG Vocals | Billy Barber, Lighthouse Films

The Space In Between, “The Space In Between” | Lead and BG Vocals | Stefan Sawynok, Martian Creative

Kate Earl, “I Don’t Want To Be Alone” | Background Vocals | Stronger, Downtown Records

Barbie Jingle | Lead and Background Vocals | Matel

William Fitzsimmons, “If You Would...” | Arranger, Background Vocals | Derivatives, Downtown Records

Gabriel Garcia, The Impossibilities | Vocal Production, Production | Make-A-Wish-Foundation

Horrocks / Cannata, “Superman” | Lead and Background Vocals | Rick Wake Productions / Cove City Sound

Horrocks / Cannata, “Shoebox” | Lead and Background Vocals | Rick Wake Productions / Cove City Sound

All My Children, ABC Daytime | Lead and Background Vocals | Billy Barber, Billy Barber Productions




I am a composer of music, a session singer, and a voiceover artist. I was also with independent label Downtown Records from its inception in January of 2006 through April of 2012, working in A&R.

I’ve worked in the field of music performance for nearly two decades (admittedly, I got my start a little early) singing background and lead session vocals for children’s records. Over the years I’ve honed my skills singing for other people, and I’ve been lucky enough to sing many a demo for composers writing for major artists such as Hillary Duff, Lindsay Lohan, and Brie Larson, perform backgrounds for artists like flame-haired-friend Brett Dennen, and arrange for singer-songwriters such as William Fitzsimmons, among many other amazing local New York artists.

Through that world, I found that I also have a talent and passion for voiceover. I’ve realized the common thread is just… making things. There’s something magical about delivering a performance that previously only lived in someone’s mind: bringing about something tangible out of all of the intangible. And that’s essentially how I arrived here.

Of course, one of the most gratifying pieces of that process is actually writing music, which I have been doing for a bit over ten years now. I began writing as an artist myself, but over the years have found that writing for other people is equally wonderful. I am guided by the same principal as in voiceover and session singing: achieving that ephemeral performance for someone within a specific set of guidelines. It can be true song – four minutes of verse, prechorus, chorus, bridge – or an abbreviated version in the form of a jingle, or an extended and less structured score.

At heart, I consider myself a writer, and I approach all of my performance with that sensibility. I am most concerned with what serves a piece best, whether i am singing, speaking, or composing it myself. It’s always about what makes a stanza of music or a paragraph of copy a little jewel of something incredible, conveying a depth of emotion and perspective in four chords or thirty seconds. My job is to determine what performance serves that jewel of composition best.