I’ve worked in the field of music performance for nearly three decades (admittedly, I got my start a little early, singing on children’s records). Over the years I honed my skills singing for other people, and I’ve been lucky enough to track many a demo for composers writing for major artists such as Hillary Duff, Lindsay Lohan, and Brie Larson, perform backgrounds for artists like flame-haired-friend Brett Dennen, and arrange for singer-songwriters such as William Fitzsimmons, among many other amazing local New York artists. I also worked in A&R at independent label Downtown Records from its inception in January of 2006 through April of 2012.

Through the session singing world, I found that I also have a talent and passion for voiceover. I’ve realized the common thread is just… making things. There’s something magical about delivering a performance that previously only lived in someone’s mind: bringing about something tangible out of the intangible.

At heart, I consider myself a writer and I approach all of my performance with that sensibility. I am most concerned with what serves a piece best, whether I am singing, speaking, or composing it myself. My work is always about what makes a stanza of music or a paragraph of copy a little jewel of something incredible, conveying a depth of emotion and perspective in four chords or thirty seconds. My job is to determine what performance serves that jewel of composition best.